這是我幫法文班認識的學姊做的音樂會海報
因為帶了繪圖版回家卻沒帶觸控筆
只好土法煉鋼....
我自己還滿喜歡的
可是學姊說....."我已經大四了耶..."
所以後來又嘗試了另一種風格
就變成這樣了.....
因為時間的關係 海報非常趕
而且完全沒有sense
幾乎都只是在玩排版(還排得很爛)
邀請卡的部份比海報先設計完
後來做了一款風格不大一樣的節目手冊
心得是 無設限的海報真好玩
只是我自己越做越容易落入老套~"~
例如編排沒有變化
但好處是，正經的音樂會還蠻適合的:P
2009年5月27日 星期三
10個logo設計小訣竅
摘錄於LOGO DESIGN LOVE
I’ve learned from quite a few mistakes during my time as a designer, and to save you from doing likewise, here are some logo design tips I picked up.
1. A logo doesn’t need to say what a company does
Restaurant logos don’t need to show food, dentist logos don’t need to show teeth, furniture store logos don’t need to show furniture. Just because it’s relevant, doesn’t mean you can’t do better. The Mercedes logo isn’t a car. The Virgin Atlantic logo isn’t an aeroplane. The Apple logo isn’t a computer. Etc. Etc.
2. Not every logo needs a mark logo
Sometimes a client just needs a professional logotype to identify their business. Don’t be afraid to ask what they think.
3. Two-way process
Remember, things might not always pan out as you hope. Your client might request something you disagree with. If that happens, try giving them what they want, then show them what you believe is an improvement, and why. They’re less likely to be so resistant if they already see how their thoughts pan out.
4. Picasso started somewhere
You don’t need to be an artist to realise the benefits of logo sketching. Ideas can flow much faster between a pen and paper than they can a mouse and monitor.
5. Under-promise, over-deliver
If you’re unsure how long a task will take to complete, estimate longer. Design projects are like construction work — you piece lots of little elements together to form a greater whole, and setbacks can crop up at any time.
6. Leave trends to the fashion industry
Trends come and go, and when you’re talking about changing a pair of jeans, or buying a new dress, no worries, but where your brand identity is concerned, longevity is key.
Don’t follow the pack.
Stand out.
7. Work in black first
By leaving colour to the end of the process, you focus on the idea. No amount of gradient or colour will rescue a poorly designed mark.
8. Keep it appropriate
Designing for a lawyer? Ditch the fun approach. Designing for a kid’s TV show? Nothing too serious. I could go on, but you get the picture.
9. A simple logo aids recognition
Keeping the design simple allows for flexibility in size. Ideally, your design should work at a minimum of around one inch without loss of detail. Look at the logos of large corporations like Mitsubishi, Samsung, FedEx, BBC etc. Their logos look simple and are easier to recognise because of it.
10. One thing to remember
That’s it. Leave your client with just one thing to remember about the design. All strong logos have one single feature to help them stand out.
Not two, three, or four.
One.
I’ve learned from quite a few mistakes during my time as a designer, and to save you from doing likewise, here are some logo design tips I picked up.
1. A logo doesn’t need to say what a company does
Restaurant logos don’t need to show food, dentist logos don’t need to show teeth, furniture store logos don’t need to show furniture. Just because it’s relevant, doesn’t mean you can’t do better. The Mercedes logo isn’t a car. The Virgin Atlantic logo isn’t an aeroplane. The Apple logo isn’t a computer. Etc. Etc.
2. Not every logo needs a mark logo
Sometimes a client just needs a professional logotype to identify their business. Don’t be afraid to ask what they think.
3. Two-way process
Remember, things might not always pan out as you hope. Your client might request something you disagree with. If that happens, try giving them what they want, then show them what you believe is an improvement, and why. They’re less likely to be so resistant if they already see how their thoughts pan out.
4. Picasso started somewhere
You don’t need to be an artist to realise the benefits of logo sketching. Ideas can flow much faster between a pen and paper than they can a mouse and monitor.
5. Under-promise, over-deliver
If you’re unsure how long a task will take to complete, estimate longer. Design projects are like construction work — you piece lots of little elements together to form a greater whole, and setbacks can crop up at any time.
6. Leave trends to the fashion industry
Trends come and go, and when you’re talking about changing a pair of jeans, or buying a new dress, no worries, but where your brand identity is concerned, longevity is key.
Don’t follow the pack.
Stand out.
7. Work in black first
By leaving colour to the end of the process, you focus on the idea. No amount of gradient or colour will rescue a poorly designed mark.
8. Keep it appropriate
Designing for a lawyer? Ditch the fun approach. Designing for a kid’s TV show? Nothing too serious. I could go on, but you get the picture.
9. A simple logo aids recognition
Keeping the design simple allows for flexibility in size. Ideally, your design should work at a minimum of around one inch without loss of detail. Look at the logos of large corporations like Mitsubishi, Samsung, FedEx, BBC etc. Their logos look simple and are easier to recognise because of it.
10. One thing to remember
That’s it. Leave your client with just one thing to remember about the design. All strong logos have one single feature to help them stand out.
Not two, three, or four.
One.
2009年5月23日 星期六
2009年5月17日 星期日
6+6台德海報大展
6+6台灣德國海報展出
展 出 人│德國：
Uwe Loesch
Fons Hickmann
ianping He 何見平
Henning Wargenbreth
Gerwin Schmidt
Gunter Karl Bose
臺灣：林磐聳、游明龍、林宏澤
陳永基、陳俊良、林俊良
展期：5/16~6/3
地點：中正紀念堂 第二展廳
2009年5月5日 星期二
2009年5月4日 星期一
2009年5月1日 星期五
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